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ig7bet how to withdraw is So the Snark comes back on her course. The breath increases to a tiny puff. The Snark feels the weight of it and actually heels over a trifle. There is flying scud overhead, and I notice the stars being blotted out. Walls of darkness close in upon me, so that, when the last star is gone, the darkness is so near that it seems I can reach out and touch it on every side. When I lean toward it, I can feel it loom against my face. Puff follows puff, and I am glad the mizzen is furled. Phew! that was a stiff one! The Snark goes over and down until her lee-rail is buried and the whole Pacific Ocean is pouring in. Four or five of these gusts make me wish that the jib and flying-jib were in. The sea is picking up, the gusts are growing stronger and more frequent, and there is a splatter of wet in the air. There is no use in attempting to gaze to windward. The wall of blackness is within arm’s length. Yet I cannot help attempting to see and gauge the blows that are being struck at the Snark. There is something ominous and menacing up there to windward, and I have a feeling that if I look long enough and strong enough, I shall divine it. Futile feeling. Between two gusts I leave the wheel and run forward to the cabin companionway, where I light matches and consult the barometer. “29-90” it reads. That sensitive instrument refuses to take notice of the disturbance which is humming with a deep, throaty voice in the rigging. I get back to the wheel just in time to meet another gust, the strongest yet. Well, anyway, the wind is abeam and the Snark is on her course, eating up easting. That at least is well. For the first time I felt sorry for the Chinaman. Though the book did not tell me anything about pulling teeth, it was all right, for on one page I found drawings of all the teeth, including their prongs and how they were set in the jaw. Then came the pursuit of the forceps. I had seven pairs, but was in doubt as to which pair I should use. I did not want any mistake. As I turned the hardware over with rattle and clang, the poor victim began to lose his grip and to turn a greenish yellow around the gills. He complained about the sun, but that was necessary for the photograph, and he had to stand it. I fitted the forceps around the tooth, and the patient shivered and began to wilt..

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🎮 We walked across a spacious, wonderful lawn and down an avenue of royal palms, and across more wonderful lawn in the gracious shade of stately trees. The air was filled with the songs of birds and was heavy with rich warm fragrances—wafture from great lilies, and blazing blossoms of hibiscus, and other strange gorgeous tropic flowers. The dream was becoming almost impossibly beautiful to us who for so long had seen naught but the restless, salty sea. Charmian reached out her hand and clung to me—for support against the ineffable beauty of it, thought I. But no. As I supported her I braced my legs, while the flowers and lawns reeled and swung around me. It was like an earthquake, only it quickly passed without doing any harm. It was fairly difficult to catch the land playing these tricks. As long as I kept my mind on it, nothing happened. But as soon as my attention was distracted, away it went, the whole panorama, swinging and heaving and tilting at all sorts of angles. Once, however, I turned my head suddenly and caught that stately line of royal palms swinging in a great arc across the sky. But it stopped, just as soon as I caught it, and became a placid dream again. What did such accusations mean? Suspect a man like him of murder! And Fabu became excited and was about to make trouble.!

🏆 And, oh, there is one other excellence of the Snark, upon which I must brag, namely, her bow. No sea could ever come over it. It laughs at the sea, that bow does; it challenges the sea; it snorts defiance at the sea. And withal it is a beautiful bow; the lines of it are dreamlike; I doubt if ever a boat was blessed with a more beautiful and at the same time a more capable bow. It was made to punch storms. To touch that bow is to rest one’s hand on the cosmic nose of things. To look at it is to realize that expense cut no figure where it was concerned. And every time our sailing was delayed, or a new expense was tacked on, we thought of that wonderful bow and were content. Too much, by the way, does not indicate anything excessive. It is merely the simple superlative. Thus, if a native is asked the distance to a certain village, his answer will be one of these four: “Close-up”; “long way little bit”; “long way big bit”; or “long way too much.” Long way too much does not mean that one cannot walk to the village; it means that he will have to walk farther than if the village were a long way big bit.!

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